Knowing that the books were so beloved added a healthy sense of pressure and maybe a healthy sense of anxiety. I think with any adaptation, there will always be differences from the source material. They have such a passionate following, and fans of the books feel so strongly about these characters. As you developed this series, did you feel anxiety about how Julia Quinn's fan base would receive it?ĬVD: Going into the project, I knew that these books were beloved. From the beginning, we were definitely excited to lean into the sensuality and sexuality.ĮSQ: With beloved entertainment properties like Bridgerton, there comes a built-in audience with a huge swath of defined opinions.
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It’s no secret that we're based on a series of really delicious romance novels.
It's a little surreal, and I'm overwhelmed with the response, but the response has been so positive and so exciting.ĮSQ: It sounds like you wanted to create a piece that didn't just have the male lead wet in the lake-you wanted one where he could fully strip down.ĬVD: Absolutely. How does the enormity of that feel to you?Ĭhris Van Dusen: It feels amazing. Van Dusen spoke with Esquire about striking the right balance of historical accuracy, challenging conservative attitudes, and bringing the show’s steamy sex scenes to life.Įsquire: Bridgerton has been such a massive hit, ranking among the top five most-watched Netflix debuts. The finished product is exactly that: a lovingly adapted fantasy of romance and glamour, but also a keen dissection of genre tropes about gender, race, and class. As the creator and showrunner of Bridgerton, Van Dusen spent years developing the story from Julia Quinn’s beloved historical romance novels, seeking to create an adaptation that would read as both faithful and modern. Van Dusen is still reeling from the enormity of it all, but in the wake of the show’s outstanding launch, he’s had a lot of time to think about what went into the making of this stratospheric hit. Even for Van Dusen, a Shondaland veteran accustomed to the enormous followings that have coalesced around shows like Scandal, Grey’s Anatomy, and Private Practice, Bridgerton’s hit debut was surreal. What he didn’t anticipate was how the series would skyrocket into the pantheon of Netflix’s top five debuts of all time, with 63 million households projected to stream it within less than a month of the series premiere. Attitude, Pride and Out were just some of the outlets who praised what they assumed would be a very inclusive show in the queer sense too.When Chris Van Dusen launched Bridgerton on Christmas Day, he hoped that this sexy, escapist period romance would find an eager audience. So when the first trailer teased a gay sex scene back in October, a wide range of LGBTQ+ publications jumped on this moment, assuming that Bridgerton would be just as queer as other shows from Shonda Rhimes. With this pedigree, queer fans were understandably excited for Bridgerton too.
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In the past, other Shondaland shows like Grey's Anatomy, Scandal, and How To Get Away With Murder have all pushed LGBTQ+ representation forward, providing queer audiences with the love stories they've always yearned for on mainstream TV. This is the kind of poignant queer moment that Shonda Rhimes fans would come to expect from a show that carries her name. However, no reference is made to queerness again until near the end, when Bridgerton's newfound friend openly discusses his desire for men, and why it's vital that he hides this within a straight sham marriage. Bridgerton star talks Daphne's "sexual evolution"Īlthough the show quickly moves on from this encounter, there's clearly some sexual tension between Benedict and the party's host.